The Neon Edition explodes onto the page as the thunderous 30th instalment in Kevin J. Kennedy’s celebrated horror series - an unthemed, unchained, full-throttle descent into chaos. This is horror without boundaries. Without mercy. Without brakes.
Inside, the future is a merciless wasteland where the desperate barter their own body parts just to survive. Flesh warps and betrays. Lovecraftian wormholes rip open the fabric of reality. Urban legends stalk the streets in broad daylight. Faith curdles into fanaticism and dread. Neighbours hide unspeakable secrets. Funhouses pulse with neon delirium, bending sanity until it snaps.
Savage, surreal, and relentlessly imaginative, The Neon Edition doesn’t just cross lines - it obliterates them. Thirty books in, and the nightmare is louder than ever.
The Horror Collection Neon Edition is my first foray into this series of anthologies, and now that I see what I have been missing, I am beside myself, wondering where and how I can cram the earlier volumes into my TBR.
From the first story, Zero Sum by Laural Hightower, where electricity and basic needs cost far more than cash, to the last story, Alone Together by James Jobling, where parents make an annual pilgrimage in search of what happened to their missing daughters, and all the kink, ghosts, dark humor, and gore in the stories in between this is an unforgettable collection that belongs on every horror lover's shelf.
If there were an award I could give for best opening lines I have read this year, it would go to Carlton Mellick III and his story Simple Machines for "Oliver Madu awoke one morning to discover two tiny copper doorknobs growing from the corners of his eyes. He didn't remember ever having doorknobs in his eyes before." If you can read that and not keep reading, then you are even stronger-willed than those people who can stop at just one salty potato chip.
My thanks to KJK Publishing for the e-ARC



