Aurora, a successful art lawyer, has returned to Mexico to celebrate a recent campaign for the repatriation of stolen artifacts. In particular, a mysterious statue of an Aztec god.
There’s nothing wrong with Aurora.
But Mexico City isn’t as she remembered, and as she cares for her ailing mother, home isn’t as she remembered either. Nothing is as she remembered. Elements of her past hint at darkness and power, and reality begins to crack and warp the streets.
There’s nothing wrong with Aurora.
But some sicknesses can’t be healed. As Aurora’s sanity unravels, she must pry apart her family’s secrets and accept the simplest of The Flayed One cannot stay buried.
A quick review of what felt like a very long book for me.
Aurora has been away from Mexico for quite some time, so maybe it's not that unusual that things are markedly changed from her memories. But how can she have memories from before she was born? What mysterious illness is her mother suffering? And is she having some sort of breakdown, or are these dreams and hallucinations real?
I loved the prologue, but it gave away most of the plot.
"Mothers always hide things from their children. It's what we do. We carry burdens so our children don't have to."
History, folklore, body horror, mystery, it's all here if you can wait it out. The pace is very slow. I don't mean slow burn horror; I mean slow as molasses, especially compared to the prologue, which pulled me in right away. I wanted to love this as much as the author's previous book, Pinata, but it was just an ok read for me.
My thanks to Tor Nightfire for the paperback.

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