An homage to ‘70s horror cult classics The Texas Chainsaw Massacre and The Hills Have Eyes. Brute 1976 takes place in 1976, when Raquel and her girlfriend have car trouble and break down on the side of the road in the middle of nowhere. At the same time, a group of people are in the desert for a photoshoot. Soon, they stumble upon an abandoned town where a family of masked psychopaths reside.
I was invited to watch an early screener of Brute 1976, and being a fan of horror in that setting and the cult classics of that time, I jumped at the chance.
The movie opens with a car broken down on a hot desert road where a woman had been driving her girlfriend to model in a photo shoot. Beginning with car trouble on a lonely stretch of road is an oft used but still effective horror trope, so as the ladies approached a cave to get out of the relentless sun I was already yelling at them to not go in there.
Meanwhile, the rest of the crew is arriving at the designated area and wondering what happened to their other model. The search for a phone leads to the discovery of an apparent ghost town where they decide to take some additional photos before heading out and giving up on their no show model. The town is not so empty as it first appears, and they are welcomed by the owner to look around. Unbeknownst to them, they are about to meet a family of psychotic killers. Will anyone survive?
This movie pays homage to films like Texas Chainsaw Massacre, The Hills Have Eyes, and even Wrong Turn in the way that finding yourself in the wrong place at the right time can lead to murder and mayhem by reclusive, off-the-grid lunatics with power tools. A fairly predictable plot was brightened by good acting and horrifying masked psycho killers. Dazelle Yvette shines in a brilliant performance as Mama Birdy. She manages to convey a mother's love and a quiet sort of evil all with one look and a smile. If you like Indie horror, this is one to watch. I gave this an 8 out of 10 stars on IMDB check it out!
Brute 1976 stars Adriane McLean (Miracles of Christmas), Sarah French (Blind), Gigi Gustin (The Retaliators), Dazelle Yvette (Garden of Eden) and Adam Bucci (NCIS Los Angeles). From production company Neon Noir, Marcel Walz, Joe Knetter, and Sarah French produced, with Dirk Schürmann and Tobias Schürman serving as Executive Producers. Robert Kern III (Prey, Creepypasta) provided makeup effects, and Marcus Friedlander (The Getback) served as Director of Photography.







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