“A shrewd and lyrical portrayal of many of the realities of black life . . . Naylor bravely risks sentimentality and melodrama to write her compassion and outrage large, and she pulls it off triumphantly.” —The New York Times Book Review
“Brims with inventiveness—and relevance.” —NPR's Fresh Air
In her heralded first novel, Gloria Naylor weaves together the stories of seven women living in Brewster Place, a bleak-inner city sanctuary, creating a powerful, moving portrait of the strengths, struggles, and hopes of black women in America. Vulnerable and resilient, openhanded and openhearted, these women forge their lives in a place that in turn threatens and protects—a common prison and a shared home. Naylor renders both loving and painful human experiences with simple eloquence and uncommon intuition in this touching and unforgettable read.
In the 1980s which I still sometimes think was only 20 years ago, I watched the made for tv movie, Women Of Brewster Place. At the time, I paid no attention to the credits, had never heard of Gloria Naylor and had no idea the movie was made from a book. The movie was stuck in my mind all these years and a couple of years ago I decided to go ahead and buy it to re-watch. I finally saw the credits and as the movie was still playing I immediately searched out and ordered a copy of the book. This weekend I finally sat down to read it and it has now sent me on a shopping spree to pick up more of Gloria Naylor's work.
This book is the bittersweet tale of seven Black women who all eventually end up in the run down tenement building of Brewster Place, a building on a dead end street where joy and hopelessness share equal time. Crime is rampant in the alley and by the wall that cuts them off from the more upscale neighborhood. Set in the days when being a lesbian could cost you your job, having a baby could keep you from getting housing. It is beautifully written and sometimes heartbreaking, sometimes hopeful, but never boring. It claims to be short stories, but to me it's more like chapters on each individual woman, and Ben the janitor/caretaker is an important character as well. It's hard for me to talk about the book without talking about the movie. The book is more graphic in certain scenes that would have been too intense for tv in those days, and yet the movie stuck so close to the book as to even include most of the dialogue word for word. It's only near the ending of the book that the movie went a slightly different way. I guess I have to recommend both to you, I loved them equally.
5 out of 5 stars
About the author
Gloria Naylor won the National Book Award for first fiction in 1983 for The Women of Brewster Place. Her subsequent novels included Linden Hills, Mama Day and Bailey's Cafe. In addition to her novels, Naylor wrote essays and screenplays, as well as the stage adaptation of Bailey's Cafe. Naylor also founded One Way Productions, an independent film company, and was involved in a literacy program in the Bronx.
A native New Yorker, Gloria Naylor was a graduate of Brooklyn College and Yale University. She was distinguished with numerous honors, including Scholar-in-Residence, the University of Pennsylvania; Senior Fellow, The Society for the Humanities, Cornell University; the President's Medal, Brooklyn College; and Visiting Professor, University of Kent, Canterbury, England. Naylor was the recipient of Guggenheim and National Endowment for the Arts fellowships for her novels and the New York Foundation for the Arts Fellowship for screenwriting. She passed away on September 28, 2016 at the age of 66.
