The World Turns Red by Tim Waggoner

Welcome to the meat room.

At first, it’s a whisper on the edge of your consciousness.

As it gets louder, you begin to make out words—dark, sharp, dangerous words… You clap your hands over your ears to shut them out, but you can’t escape what comes from inside you.

The voice tells you to do things to yourself. Bad things. Awful things…The longer you listen, the more they seem reasonable. Desirable.

Inevitable.

And as you reach for the nearest knife, gun, or rope, the voice speaks the last four words you’ll ever

All hail the Unhigh.

This novella is a quick and gruesome story that packs a lot of horror into eighty-something pages.

Lewis Cooper is in the midst of an ordinary day, grading essays on his laptop, when he happens to look out the window and see his neighbor fashioning a noose on his oak tree. What follows is a rash of suicides that spread like a plague, seeming to travel everywhere Lewis goes. 

Is Lewis immune, or is he somehow the catalyst? We learn the truth through flashbacks to his traumatic childhood and how these events shaped the man he is today. There were times I was not sure what was really happening and what was only inside his damaged mind.

This is a very dark, intense read with a surreal quality that pulled me in from page one and held me spellbound to the bitter end.

4 out of 5 stars

My thanks to Cemetery Dance Publications.

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One Dark Night by Hannah Richell

On Halloween, a group of teenage students meet in the woods near Sally in the Wood, a road steeped in local lore and rumored to be haunted by the ghost of a murdered girl. By the end of the night, one student will be dead.

Rachel, the school guidance counselor, is trying to keep a handle on her increasingly distant teenage daughter, Ellie, while students and parents panic and mourn. Her ex-husband and detective Ben, dealing with a personal crisis of his own, has concerns about his daughter’s safety as he investigates the death of one of her classmates. Meanwhile, Ellie is keeping secrets from both her parents, including one about where she was that night.

Told from multiple perspectives and with Hannah Richell’s distinct “atmospheric and ever-twisting” (Emylia Hall, author of the Shell House Detective Mysteries) prose, One Dark Night is a white-knuckled and suspenseful thriller about urban legends, privilege, and how the past continues to haunt us.

 

When I read the description of this book, I thought the plot would have more to do with the ghost that haunts the road known as Sally in the Wood, so I expected something spookier. What I got is more of a combination of domestic drama and whodunnit.

A party in the woods ends in death for one teen in a murder mystery told from multiple points of view.

Ellie has been withdrawn ever since her parents split up, but after that party, she is keeping even more secrets. What really happened that night, and why is there blood on her clothes? Her father Ben, is a detective investigating the murder, and her mother Rachel, is the school guidance counselor who in trying to deal with so many students, is missing some signs from her troubled daughter.

A lack of communication between Rachel and her ex-husband Ben felt contrived rather than natural, in order to keep those characters in the dark for longer than necessary, before they finally learn what the reader already knows from the start, that their daughter Ellie was at the party on the night of the murder.

While I was not the target audience for this book, and I did not care much for any of the characters, it did succeed in pulling the wool over my eyes in every attempt to guess who the murderer was, which led to a satisfying reveal at the end.

My thanks to Atria Books for the invitation to read an e-ARC

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Cottonmouth By Kealan Patrick Burke

Available for the first time in paperback and digital.

A thrilling prequel to Kealan Patrick Burke's southern gothic horror novel Kin.

 Cottonmouth is set in the aftermath of the Great Depression in Tennessee, a time of religious fervor and charlatanism, of thieves, murderers, and moonshiners.

Here you'll meet Horseshoe Collins, a traveler on a vengeful search for the father who abandoned him; Billy Wray, a snake-handling Pentecostal preacher bringing the promise of salvation to rural communities paralyzed by fear of the Devil; and Jonah Merrill, a child grieving the loss of his beloved father and tormented by his mother's wrath.

With the threat of a second World War looming on the horizon, destiny will bring these three people together and set innocent young Jonah on the path to his eventual fate and a new name: Papa-In-Gray, the patriarch of the dreaded Merrill family whose horrific exploits were first introduced to the world in KIN.

 Cottonmouth is the prequel to Burke's horror masterpiece, Kin.

This can be read as a stand-alone, but if you have not read Kin, don't deprive yourself; read them both! Long before we meet Papa-in-Gray, the murderous religious zealot in Kin, he was just Jonah, an ordinary boy, growing up poor and neglected after his father passed away and his mother couldn't be bothered to care for him.

I'm not going to say much else about the plot except that it's a strong case for nurture vs nature in creating monsters because Jonah was not born evil. He was not a bad seed. Who knows what kind of man he would have grown up to be if he had not suffered so much abuse? I read Kin close to a decade ago, and I never thought I would feel sympathy for Papa-in-Gray, yet here I am wishing I could go back in time and offer the boy he used to be a shred of comfort. I can count on one hand the times I have gone back to reread a book, but Cottonmouth has made me crave a reread of Kin with an intensity that I can not ignore.

The writing is flawless, and the story is brutal and mesmerizing. 

5 out of 5 stars

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All Triggers, No Warnings by John Everson

 DANGER: The Unknown Lies Ahead.

In this collection of 18 tales of horror and the macabre, expect the unexpected. Inside you’ll find tales of gorgeous ghouls and seductive sirens, of hideous creatures that wear another’s face and tentworms that spin death into dessert. You’ll tour a factory of the living dead and walk through the blood rains of hell. From sexual encounters beyond the grave to a secret pinball club where the silver ball is deadly, Bram Stoker Award-winning author John Everson will take you to places you never imagined.

Inside, you’ll find the kind of fictional ride that is always most effective when you have no idea what is lurking around the next curve. The kind of horror that is always served best with plenty of toe-curling triggers and …

No Warnings.

This will be long. Sorry. As the expression goes, opinions are like kittens and I'm giving them away. I have to say something before I talk about these stories. From the title, I didn't expect trigger warnings and that is fine since I don't need them. I don't even read the trigger warnings in a book until after I have read the book. I only read them to mention their existence for those who want to know.  I did not expect a lecture on them. I was surprised at the author's loud, proud, and frankly tone deaf stance against them while showing a lack of understanding of what they are or what they are for. He states at the beginning of the book that he has seen an "increasing flurry of hand wringing about preparing readers with warnings to protect their delicate psyches from stumbling on something unpleasant and preemptively sanitizing fiction in case something in it appears to be insensitive to one group or another and thus might (gasp) offend someone." The description also says this book contains "plenty of toe curling triggers."

Well holy shit. Triggers are not toe-curling as if it is some sort of orgasmic experience. What a long winded way to tell me that you don't know what a trigger warning is, and that you think its purpose is to force you to sanitize your writing so as not to offend someone. Trigger warnings are not censorship, They are not to stop you from writing anything as "offensive" or insensitive or downright gory, vulgar, nauseating, and disgusting as you please. They do not take away your freedom of speech. No topic is off limits. I would think that would be obvious from the most popular horror books by indie authors, you are limited only by your own imagination. 

As a horror reader, I expect a multitude of unpleasant scenarios in books. I want to laugh, and cry and be disgusted or terrified. That doesn't mean I am ignorant of the fact that trauma survivors may prefer to avoid topics that cause them to relive their trauma or at least have the option to steel themselves for its approach rather than be ambushed by it. It's ok not to need trigger warnings and it is even ok not to include them. It is not OK  to belittle readers who do need them in order to protect their own mental well being. 

Anyway!

As far as the stories in this collection, most have been previously published and I have read and enjoyed a few of them in the anthologies where they originally appeared. 

I have previously read and loved the first story Driving Her Home, which is the author's take on a classic ghost story/urban legend that nearly everyone will have heard someone swear that a version of this has actually happened to a friend of a friend. Maybe even on a wooded stretch of road you have traveled.

I also remember The Cemetery Man, which appeared in one of my all-time favorite anthologies, Midnight In The Graveyard. This is a darkly comedic story about a man who is willing to put up with a lot of creepy situations just to have some sexy time with a woman who is turned on by graveyards.

Other stories I enjoyed were The Most Dangerous Game, about pinball aficionados and a collection of rare pinball machines that you will never have seen in your local arcade.

Friends discover that their deceased pal's resting place has been disturbed in another dark horror comedy, Arnie's Ashes.

A henpecked husband and his wife spend an unforgettable night at a country inn that sells a mysterious concoction known as Forest Butter.

Ghoul Friend In A Coma finds high schoolers plagued by a curfew because there may be a serial killer picking them off one by one.

Normally, for story collections, I will just touch briefly on the stories that I loved the most, but since the only brand new story here is one I did not care for, I will have to mention Triggered. This is a story of revenge against a book reviewer by someone who conflates trigger warnings with reviewers who mistakenly assume that authors who write about horrible happenings are horrible people and therefore attempt to get these writers "cancelled." If my eyes had rolled any harder reading this story, my ocular muscles would bulge like a champion weight lifter.

I'm getting sick of the sound of myself typing and I am sure to be over the character limit for social media so I will end here by saying I enjoyed most of the stories. Many are like the old 80s fun and freaky campy horror with gore, bouncing boobs and dark humor. 

My thanks to Cemetery Dance Publications for the e-ARC.

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