The Essential Horror of Joe R. Lansdale

 In this career horror retrospective, World Horror Grandmaster Joe R. Lansdale (Bubba Ho-tep; Hap and Leonard) tackles racism and human cruelty as de­ftly as he conjures demon nuns and Elder Gods. Featuring an original introduction from Joe Hill, this much-anticipated volume showcases the best of Lansdale’s terrifying short stories—menacing, astute, and wildly inappropriate.

Bestselling author Joe R. Lansdale is known for his gritty mysteries and his eccentric horror. As an eleven-time Bram Stoker Award winner, Joe Lansdale cooks up an inimitable recipe of Southern Gothic and Southern fried chicken that continues to delight his many fans and influence generations of horror legends.

Lansdale mashes up crime, Gothic, mystery, fantasy, and science-fiction, filtered through a raw, violent world of dark humor and unique characters. Lansdale is one of the early American horror writers to portray racism not as abstract but as realistic, intimate, and impossible to ignore.

In Lansdale’s nightmarish visions, you’ll discover psychotic demon nuns, a psychopathic preacher, cannibals, 80-year-old Elvis, undead strippers, ­ flying ghost fish, Elder Gods, possessed cars, and the worst evil of all: mankind.

This is, without a doubt, one of the best short story collections I have ever read, and that is saying something. These tales run the gamut from crime to horror with consummate skill.

Lansdale breathes life into characters and creatures that will haunt your nightmares. While there is some supernatural horror here with terrifying demonic entities, the most powerful stories are those that revolve around the evils that mere mortals perpetrate. 

Also included is plenty of dark, gross-out humor. I had seen the movie Bubba Ho-Tep but had never read the story that spawned the film until now. If you enjoy fiction that makes you shake your head and say "ick" while laughing, this is made for you.

Some may find the authentic portrayal of ignorance and racism in a couple of stories to be offensive. I, for one, do not. It is a vile, ugly thing. It is not holding up a mirror to me, and I don't need it sugar-coated. I didn't need the author to pull any punches, and I'm glad he chose not to. Racism written as anything less than disgusting would have been more likely to offend me. This is the language that they use. It would be disingenuous to pretend otherwise. 

I have always said the best horror is that which makes me feel something. This is a collection that succeeds in that on every page, from the first story that gave me shivers to the last story that repulsed me to the core, and every tale in between. Prepare to experience a range of emotions, from rage and wonder to sadness and disgust, interspersed with shock and terror.

5 out of 5 stars

My thanks to Tachyon Publications for the gorgeous paperback ARC.

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About the author

Contents

Introduction by Joe Hill

“The Folding Man”

“Hoodoo Man and the Midnight Train”

“God of the Razor”

“My Dead Dog Bobby”

“Tight Little Stitches in a Deadman’s Back”

“By Bizarre Hands”

On the Far Side of the Cadillac Desert with Dead Folk

“Love Doll: A Fable”

“Mister Weed-Eater”

“The Bleeding Shadow”

“Not From Detroit”

“The Hungry Snow”

“Dog, Cat, and Baby”

Bubba Ho-tep

“Fish Night”

“Night They Missed the Horror Show”

The Shuddering Breath Before Oblivion by Taylor Grant

In his final collection of short stories, once again we are invited into Taylor Grant's unique and macabre imagination. A man discovers a portal in his basement that offers him an infinite variety of alternate lives he can live. A woman seeks revenge on the man who destroyed her life. In treating a young man's haunted memories of a childhood trauma, a psychiatrist uncovers terrifying possibilities. A property speculator gets more than she bargained for when she buys an unsellable house in a small town with a morbid obsession with Halloween. And in the collection's title story, a journalist fights to solve the mystery of a world of disappearing people. Come on in and explore the dark labyrinths of the human mind and what it's capable of, if you dare.
 

    I'm sad to say I was not familiar with this author's work before he passed away. Sadder still that the world has lost an incredible storyteller.

Not all of these tales are horror, but I was surprised to find that one in particular that had absolutely nothing to do with horror is one of my favorites in this collection. A Whiter Shade of Christmas is a story of grief and loneliness that gets harder to bear in the holiday season. Who can't relate to that? I envy anyone who can't. This year, a widower is deeply moved by a dinner invitation from a homeless man. I loved this poignant yuletide tale.

Another of my favorites was Don't Open Your Eyes, about a house flipper who moves into the last house on Willow Lane near Halloween. So what of the previous owners disappeared without a trace, as did the owners before? Surely it's just a coincidence that nobody has ever lasted through Halloween in this house. Or is it?

Red Christmas was an excellent story about a little girl who is grieving the loss of her grandmother, especially now that she is left alone with her bickering, abusive parents. I'm sensing a theme here, I must really enjoy holiday stories. Anyway it just might be possible that Grandma has a final gift from beyond the grave.

While not every story was my preferred genre, they are all skillfully written and engrossing tales. These were my favorites, but all were good.

My thanks to Crystal Lake Publishing.

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Movie Review- Brute 1976

Cinephobia Releasing is proud to announce the Summer release of director Marcel Walz’s (That’s A Wrap, Pretty Boy) and writer Joe Knetter’s (George A. Romero’s Twilight of the Dead) latest feature Brute 1976. The film is set to release in select theaters this August, followed closely by a digital, VOD release on September 30, 2025

It is currently opening in the below markets:

Laemmle Glendale - Los Angeles, CA - 8/26 - Premiere

Laemmle Glendale - Los Angeles, CA - 8/29 & 8/30

Alamo Drafthouse - Indianapolis, IN - opens 8/29

*more markets TBA

An homage to ‘70s horror cult classics The Texas Chainsaw Massacre and The Hills Have Eyes. Brute 1976 takes place in 1976, when Raquel and her girlfriend have car trouble and break down on the side of the road in the middle of nowhere. At the same time, a group of people are in the desert for a photoshoot. Soon, they stumble upon an abandoned town where a family of masked psychopaths reside.

I was invited to watch an early screener of Brute 1976, and being a fan of horror in that setting and the cult classics of that time, I jumped at the chance.

The movie opens with a car broken down on a hot desert road where a woman had been driving her girlfriend to model in a photo shoot. Beginning with car trouble on a lonely stretch of road is an oft used but still effective horror trope, so as the ladies approached a cave to get out of the relentless sun I was already yelling at them to not go in there. 

Meanwhile, the rest of the crew is arriving at the designated area and wondering what happened to their other model. The search for a phone leads to the discovery of an apparent ghost town where they decide to take some additional photos before heading out and giving up on their no show model. The town is not so empty as it first appears, and they are welcomed by the owner to look around. Unbeknownst to them, they are about to meet a family of psychotic killers. Will anyone survive?

This movie pays homage to films like Texas Chainsaw Massacre, The Hills Have Eyes, and even Wrong Turn in the way that finding yourself in the wrong place at the right time can lead to murder and mayhem by reclusive, off-the-grid lunatics with power tools. A fairly predictable plot was brightened by good acting and horrifying masked psycho killers. Dazelle Yvette shines in a brilliant performance as Mama Birdy. She manages to convey a mother's love and a quiet sort of evil all with one look and a smile. If you like Indie horror, this is one to watch. I gave this an 8 out of 10 stars on IMDB check it out!

Watch the trailer

Brute 1976 stars Adriane McLean (Miracles of Christmas), Sarah French (Blind), Gigi Gustin (The Retaliators), Dazelle Yvette (Garden of Eden) and Adam Bucci (NCIS Los Angeles). From production company Neon Noir, Marcel Walz, Joe Knetter, and Sarah French produced, with Dirk Schürmann and Tobias Schürman serving as Executive Producers. Robert Kern III (Prey, Creepypasta) provided makeup effects, and Marcus Friedlander (The Getback) served as Director of Photography. 
 

How to Survive Camping #1 The Man With No Shadow by Bonnie Quinn

Welcome to Night Vale meets The Worst-Case Scenario Survival Handbook in a campy, cozy horror novel that will appeal to creepy folklore aficionados and spooky story lovers alike.

I am a campground manager. I don’t have a list of rules because I’m trying to ruin your fun…I’m trying to keep you from doing small, simple things that could result in your horrific and most agonizing demise.
Goat Valley Campground has killed generations of Kate’s family. The land is old, passed down through generations, but the campground’s reputation doesn’t just draw campers year after year. Creatures from folklore and horror have made Goat Valley not just their home, but their hunting ground.

As campground manager, Kate has rules to protect her campers—if the man with the skull cup offers you a drink, accept it or you will die a gruesome death; don’t buy ice from the children with no wagon; and of course, never ever follow the lights. Still, not every camper follows the rules…which means not every camper survives their stay. Soon decapitated and exsanguinated campers are the least of Kate’s worries; one of the most dangerous inhabitants of the campground is determined to claim the land for himself. Meanwhile, something in the land is shifting, the tides are turning, and the curse that hunts members of her bloodline begins to close in…

When I received an invitation to review this book, I nearly ignored it because I saw mention of "cozy horror" in the description. I don't do cozy. Having never heard of this author and knowing only that she writes on reddit also gave me pause. Then I said to myself, don't be such a horror snob, you could at least read a few pages before you decide whether to continue or not. I'm glad I did. A few pages were all I needed to get pulled in to this wild woodsy campground where supernatural creatures will get you if you do not follow the rules. 

"There are some benefits to being an early riser. Solitude. Seeing the sun rise. Finding the human torso lying in the middle of the road before anyone else."

Kate is the current manager and will likely remain so until she dies a horrific death like her parents did and generations before them. The rules are many, and the consequences for breaking them are dire. If the monsters in the woods don't eat you, Kate is not above killing you herself, all for the good of the town of course.

There are beings I recognized from folklore, like the dancing fairies and the Yule Cat who will tear you to shreds if you don't get new clothes for Christmas, and many that are more unfamiliar and terrifying than that.

Maybe my understanding of cozy has been skewed? I assumed it meant happy endings, a bit of mystery and romance, with mild, low-intensity scares.

I'm not sure that finding body parts or a decapitated head on a stake qualifies as cozy, and that was fine with me!  

Told from Kate's point of view with humor, and sarcastic wit, this is the most fun I've ever had being scared of camping. If this is cozy, count me in.

My thanks to Saga Press for the e-ARC

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About the author

Bonnie Quinn is a senior software developer in Columbus, Ohio, with a degree in computer science and an MBA. Currently, she is an active contributor of series and short stories to the r/NoSleep community on Reddit, where she is writing a spin-off series: How to Survive College.