There’s something out there that’s killing. Known only as The Cur, he leaves no traces, save for the torn bodies of girls, on the verge of becoming women, who are known as trouble-makers; those who refuse to conform, to know their place. Girls who don’t know when to shut up.
2019: Thirteen-year-old Lila Sawyer has secrets she can’t share with anyone. Not the school psychologist she’s seeing. Not her father, who has a new wife, and a new baby. And not her mother—the infamous Caroline Sawyer, a unique artist whose eerie sculptures, made from bent twigs and crimped leaves, have made her a local celebrity. But soon Lila feels haunted from within, terrorized by a delicious evil that shows her how to find her voice—until she is punished for using it.
2004: Caroline Sawyer hears dogs everywhere. Snarling, barking, teeth snapping that no one else seems to notice. At first, she blames the phantom sounds on her insomnia and her acute stress in caring for her ailing father. But then the delusions begin to take shape—both in her waking hours, and in the violent, visceral sculptures she creates while in a trance-like state. Her fiancé is convinced she needs help. Her new psychiatrist waves her “problem” away with pills. But Caroline’s past is a dark cellar, filled with repressed memories and a lurking horror that the men around her can’t understand.
As past demons become a present threat, both Caroline and Lila must chase the source of this unrelenting, oppressive power to its malignant core. Brilliantly paced, unsettling to the bone, and unapologetically fierce, Such a Pretty Smile is a powerful allegory for what it can mean to be a woman, and an untamed rallying cry for anyone ever told to sit down, shut up, and smile pretty.
Caroline Sawyer, is an artist and single mom who was raised to be a good girl and is raising her daughter to be the same. Her daughter Lila is trying to be a good girl while navigating hormones, her first crush, and the secrets she knows her mother is keeping from her about murdered girls and what that might have to do with her past.
There's an expression that I love and it seems fitting for this review. "Teach your daughters to worry less about fitting into glass slippers and more about shattering glass ceilings." Yet in this day and age so many girls, and so many women are told just to smile. This book made me think of how many times I've heard it myself. Just smile. Why aren't you smiling? As if women should go around with a perpetual grin plastered to their faces regardless of how they feel or even whether the situation calls for smiling.
If you enjoy a slow burn horror with a sharp feminist edge, or if you've ever been "mansplained" to this book is for you. It's part supernatural thriller, part social commentary, and totally different from anything I've ever read.
4 out of 5 stars.
My thanks to St. Martin's Press for granting my wish for a review copy.
About the author
Kristi DeMeester is the author of Beneath, published by Word Horde, and Everything That's Underneath by Apex Books. Her short fiction has been included in Ellen Datlow's Year's Best Horror Volumes 9 and 11, Year's Best Weird Fiction Volumes 1, 3, and 5, and Stephen Jone's Best New Horror. Her short fiction has also appeared in publications such as Black Static, The Dark, Pseudopod, as well as several others. In her spare time, she alternates between telling people how to pronounce her last name and how to spell her first.
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